An overview of the of Most-Favoured Nation, how it fits into the broader reality of music clearance, pricing, and chain of title in film production.

An overview of the concept of chain of title, how it is established in film production, and why deficiencies in chain of title present significant legal and commercial risks under Indonesian copyright law.

Indonesia’s film industry is entering a phase of rapid evolution, offering foreign and domestic investors opportunities far beyond single-project financing. From equity participation in production companies and cinema expansion to multi-format IP acquisition and production infrastructure investment, the market is opening new avenues for strategic, long-term engagement.

Every film begins with a creative vision, and the way that vision is produced often determines how far the story can travel. As the Indonesian film industry grows more interconnected with regional and global markets, producers are increasingly faced with a structural choice that shapes the entire journey of a project. 

The legal framework on music royalties in Indonesia, explain LMKN’s central role and the practical steps and alternatives for businesses to manage their obligations effectively.

This article explores the legal and financial design behind Qodrat 2 and its implications for future multi-producer collaborations in Indonesia’s film industry. 

Indonesian filmmakers entering international markets often face with limited access to understanding of a global contracting standard on film distribution.

GR 17/2025 covering its scope of applicability and the technical obligations that Electronic System Operators must meet for protection of children, including safeguarding children’s personal data.