LATEST UPDATES
Navigating Underlying Rights in Work-for-Hire OTT Productions
In work-for-hire over-the-top (OTT) productions, a production house may retain copyright on paper while unknowingly giving away its most valuable commercial rights through broadly drafted clauses. This update examines the four key provisions producers should watch carefully and what they should do to protect their position before the first deal closes.
The Hidden Legal Layer of Film Festival Grants
This update examines the contractual obligations embedded in international film festival grant agreements, including premiere obligations, rights encumbrances, and clawback provisions, and considers their impact on financing, distribution, and investor waterfalls. It highlights the importance of reviewing grant agreements carefully to anticipate potential commercial and legal implications.
Film Casts and Employment Status in Indonesia: What Actors and Production Houses Need to Know
This update explains how film casts are classified under Indonesian Manpower Law, outlines the two common engagement structures used in practice, and highlights when a services arrangement may risk being treated as employment, together with the legal consequences of each structure.
Understanding MFN in Music Synchronization for Film Producers: Why clearing one song can change your entire film budget
An overview of the of Most-Favoured Nation, how it fits into the broader reality of music clearance, pricing, and chain of title in film production.
Chain of Title: Why Completing a Film Does Not Equal Owning It
An overview of the concept of chain of title, how it is established in film production, and why deficiencies in chain of title present significant legal and commercial risks under Indonesian copyright law.
Beyond the Movie Set: Why Indonesia is the Film Market Everyone will Talk About Next
Indonesia’s film industry is entering a phase of rapid evolution, offering foreign and domestic investors opportunities far beyond single-project financing. From equity participation in production companies and cinema expansion to multi-format IP acquisition and production infrastructure investment, the market is opening new avenues for strategic, long-term engagement.
Going Solo or Collaborate on Production? Choosing the Right Model for Your Next Film
Every film begins with a creative vision, and the way that vision is produced often determines how far the story can travel. As the Indonesian film industry grows more interconnected with regional and global markets, producers are increasingly faced with a structural choice that shapes the entire journey of a project.
Who Gets Paid When the Music Plays? A Guide to Indonesian Music Royalties in Commercial Premises
The legal framework on music royalties in Indonesia, explain LMKN’s central role and the practical steps and alternatives for businesses to manage their obligations effectively.
Cinema and Syndicates: Legal Architecture Behind Indonesia’s Multi-Producer Film Deal
This article explores the legal and financial design behind Qodrat 2 and its implications for future multi-producer collaborations in Indonesia’s film industry.